New York Festival Of Song 2009-2010 Season

New York Festival Of Song (NYFOS,, founded by Steven Blier and Michael Barrett, who “redefined the song recital with daring and dramatic programming,” (The New Yorker) announces its 22nd Season for 2009-2010 with performances at Merkin Concert Hall at Kaufman Center and at The Juilliard School. The concerts at Merkin Concert Hall, presented by Kaufman Center and New York Festival of Song, will encompass a wide variety of styles and themes: Broadway and popular songs (Great American Songwriting Teams); songs by late-Romantic composers from Middle and Eastern Europe (The Voluptuous Muse); new American music (The Newest Deal); French mélodie (The Sweetest Path); and popular and classical songs evoking the birthplaces and musical origins of favorite NYFOS artists (Where We Come From). The fifth annual NYFOS@Juilliard concert, Killer B's, will encompass a century of American song from Amy Beach to the Beach Boys.

Curtain time for all concerts is 8 PM. Single ticket prices (single tickets on sale beginning August 15) at Merkin Concert Hall are $40 to $55, with a limited number of $15 student tickets available by calling NYFOS at (646) 230-8380. Merkin Concert Hall at Kaufman Center is at 129 West 67th Street, New York, NY 10023. Season packages are available by writing to the box office at Merkin Concert Hall at Kaufman Center, or by calling (212) 501-3330, or online at Free tickets for the January 13 Killer B’s concert in the Peter Jay Sharp Theater at The Juilliard School will be available after January 4 at The Juilliard School box office, 155 West 65th Street, New York, NY 10023.

NYFOS concerts will feature a long list of distinguished singers: The Metropolitan Opera’s Amy Burton, Paul Appleby (winner of the National Council Auditions last season), Sasha Cooke, Joseph Kaiser and Kate Lindsey; Chicago Lyric Opera artists Dina Kuznetsova and Sari Gruber; Broadway’s Mary Testa (most recently in Guys and Dolls); cabaret and musical theater artists Sylvia McNair and Jason Graae; William Sharp, a leading orchestral soloist, and Grammy nominee for NYFOS’s recording of Leonard Bernstein’s Arias and Barcarolles; rising stars including Anne-Carolyn Bird and Andrew Garland; and and James Martin, a featured favorite in NYFOS’s most popular programs including “Lost Tribes of Vaudeville,” “Hoagy, Harry and Harold,” and “At Harlem’s Height,” (in Lincoln Center’s American Songbook presentation of NYFOS). Pianists Steven Blier (“A national treasure when it comes to the art of song” – The New York Times) and Michael Barrett, General Director of Caramoor Center for Music and Arts, will narrate and accompany the programs.

The company’s opening concert, Where We Come From, will feature members of a new company project: The Artists Council. Council members will contribute their time and expertise to NYFOS in performing, programming, consulting and advocacy.

New York Festival of Song’s 2009-2010 Season At Merkin Concert Hall at Kaufman Center, unless otherwise noted

All concerts at 8 PM

Tuesday, October 13, 2009 WHERE WE COME FROM Featuring Amy Burton, Sari Gruber, Dina Kuznetsova, Sasha Cooke, Kate Lindsey, Joseph Kaiser, Paul Appleby, William Sharp and James Martin. This program will take musical journeys to their respective birthplaces, from Indiana and Mississippi, to Canada, Germany and Russia, explore their musical backgrounds, from opera and art song to garage bands and the blues, and celebrate the artistic home they have found in New York Festival of Song. NYFOS Artistic Directors and pianists Steven Blier and Michael Barrett accompany them.

Tuesday, November 17, 2009 Thursday, November 19, 2009 GREAT AMERICAN SONGWRITING TEAMS

An evening of famous and rarely-heard songs in honor of America's classic songwriting collaborators: George & Ira Gershwin, Dietz & Schwartz, Rodgers & Hart, Rodgers & Hammerstein, Lerner & Loewe, Bock & Harnick, Kander & Ebb, Leiber & Stoller, Bolcom & Weinstein, and others. Performers include New York stage leading lights Sylvia McNair, Mary Testa and Jason Graae with Steven Blier at the piano.

Wednesday, January 13, 2010 At The Juilliard School/Peter Jay Sharp Theater KILLER B's: American Song from Amy Beach to the Beach Boys

The fifth annual edition of NYFOS@Juilliard celebrates a wealth of new, young talent. Composers will include Amy Beach, Leonard Bernstein, Samuel Barber, William Bolcom, Paul Bowles, Eubie Blake, Robert Beaser, Harry T. Burleigh, and the Beach Boys. Artists to be announced.

Tuesday, February 16, 2010 Thursday, February 18, 2010 THE VOLUPTUOUS MUSE

A program highlighting the lush harmonies and exotic themes of late-Romantic masters Nikolai Medtner, Karol Szymanowski, Erich Korngold and Richard Strauss and their contemporaries. These exquisitely-crafted creations are charged with seductive beauty and expressive power, composed during a unique historic moment of restless change—the era between the turn of the 20th century and the First World War. The exciting Russian-American soprano Dina Kuznetsova and two rising stars of the Met Opera stage, mezzo-soprano Kate Lindsey and tenor Joseph Kaiser, bring virtuosity and commitment to a new program of this dazzling repertoire. Steven Blier and Michael Barrett join them at the piano.

Tuesday, March 16, 2010 THE SWEETEST PATH

NYFOS's second weeklong residency at Caramoor's Vocal Rising Stars project culminates with this new program of French art song culled from its first great flowering; it will be presented first in the Music Room at Caramoor on March 13, and repeated in New York at Merkin Concert Hall on March 16. A quartet of exciting young singers, to be selected from artists around the United States, perform music by Gounod, Fauré, Ravel, Debussy and many others; Steven Blier and Michael Barrett partner them at the piano.

Monday, April 12, 2010 NYFOS Annual Gala Concert at 7 PM in Weill Recital Hall at Carnegie Hall Dinner to follow at a location to be announced Program and artists to be announced.

Tuesday, May 4, 2010 Thursday, May 6, 2010 World Premiere THE NEWEST DEAL An all-new NYFOS program of American works to include the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize finalist Harold Meltzer, composed specifically for the young American tenor Paul Appleby. Among the other featured music will be Gabe Kahane’s Craigslistlieder, an eight-movement song cycle which comprises settings of anonymous classified ads from Joining Mr. Appleby and making her NYFOS debut will be soprano Anne-Carolyn Bird, along with baritone Andrew Garland and pianists Steven Blier and Michael Barrett. Beautiful Ohio is commissioned by The ASCAP Foundation/Charles Kingsford Fund.

Programs and artists subject to change.

New York Festival of Song was founded in 1988 by Steven Blier and Michael Barrett. NYFOS is dedicated to creating intimate song concerts of great beauty, humor and originality, combining music, poetry, and history to entertain, educate and create community among audiences and performers. With a far-ranging repertoire of art songs, concert works and theater pieces, its thematic recitals have included programs from Brahms to the Beatles, from the nineteenth-century salons of Paris to Tin Pan Alley, from Russian art song to Argentine tangos, from sixteenth-century lute songs to new music. NYFOS particularly celebrates American song literature and culture, and specializes in premiering and commissioning new American works. They have produced five recordings on the Koch label, including a Grammy Award-winning disc of Bernstein’s Arias and Barcarolles, as well as the Grammy-nominated recording of Ned Rorem’s Evidence of Things Not Seen on New World Records, and the Bridge Records release of the NYFOS program Spanish Love Songs. NYFOS’s concert series, touring programs, radio broadcasts, recordings, and educational activities have inspired a new interest in the creative possibilities of the song program, and have inspired the creation of thematic vocal series around the world.

Artistic Director Steven Blier has programmed, performed, translated and annotated over 100 song programs with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney. In addition, Mr. Blier enjoys an eminent career as an accompanist and vocal coach. Among the many artists he has partnered in recital are Renee Fleming, Cecilia Bartoli, Samuel Ramey, Lorraine Hunt Lieberson, Susan Graham and Frederica von Stade. Mr. Blier teaches a master class with the San Francisco Opera’s Merola Program on July 17. His next project will be a concert at Wolf Trap (Vienna, Virginia) on August 1, with a cast drawn from the resident artists of Wolf Trap Opera: The Pursuit of Love, a compendium of song cycles and quartets by Heitor Villa-Lobos, Edvard Grieg, Enrique Granados, and Stephen Sondheim. One of the evening's musical highlights will be Gabe Kahane's instant classic, Craigslistlieder, written in 2006. The program features tenor Paul Appleby, who won the Metropolitan Opera’s National Council Auditions this past spring. Following this, Mr. Blier performs Latin Lovers: An Evening of Cuban and South American Song at Glimmerglass Opera in Cooperstown, New York. Latin Lovers, which was presented at The Julliard School last season, features songs by Carlos Guastavino, Astor Piazzolla, Heitor Villa-Lobos, Ernesto Lecuona, and many others. The cast for Latin Lovers will once again include the brilliant mezzo-soprano Rebecca Jo Loeb.

Associate Artistic Director Michael Barrett is also the Chief Executive and General Director of the Caramoor Center for Music and the Arts, known for its International Summer Music Festival. In 1992 Mr. Barrett and his wife Leslie Tomkins founded the Moab Music Festival in Utah, for which he serves as music director. He has conducted major orchestras here and abroad in the symphonic, operatic, and dance repertoire, and is the former director of the Tisch Center for the Arts at the 92nd Street Y. Mr. Barrett has conducted and played premieres by Bernstein, Blitzstein, Bolcom, Kernis, Ned Rorem, John Musto, Stewart Wallace, Takemitsu, Del Tredici and John Corigliano.

NYFOS’s New York City concert series is funded, in part, by the City of New York Department of Cultural Affairs and the New York State Council on the Arts.

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Posted August 11, 2009

New York City Opera Announces 2009-2010 Season and Reopening of Renovated David H. Koch Theater with Gala Performance on November 5, 2009



(New York, NY, April 1, 2009) Under the new leadership of General Manager and Artistic Director George Steel, and with all performances taking place in the newly renovated David H. Koch Theater (formerly the New York State Theater), New York City Opera will present five operas in 2009-2010, in fall and spring seasons. With repertoire that spans opera history from the early 18th to the late 20th centuries — including the premiere of a new production — the 2009-2010 season reaffirms the company’s historic mission to present innovative productions, to champion contemporary works, to rediscover early and lesser-known operas, and to promote American artists.

The 2009-2010 season will open with Hugo Weisgall’s masterpiece Esther (opening Saturday, November 7, 2009), which is being revived for the first time since New York City Opera presented the opera’s world premiere in 1993. And as a pièce d'occasion for the company’s return to the stage of the David H. Koch Theater, George Steel has commissioned a new production of Mozart's Don Giovanni (opening Sunday, November 8) — part comedy, part melodrama, part supernatural morality play — from director Christopher Alden. The company’s spring season of revivals will begin with City Opera’s sparkling production of Chabrier’s rarely performed L’Étoile (opening with a gala performance on March 18, 2010). This will be followed by the Opera’s Emmy Award-winning production of Puccini’s Madama Butterfly (opening Friday, March 19, 2010) and Handel’s romantic comedy Partenope (opening Saturday, April 3).

“This first season in our renovated home will show the many ways City Opera makes outstanding contributions to the people of New York and to the world of opera,” stated George Steel. “We are excited to return to our audiences, on schedule, and are thrilled to be moving forward with our plans for a more expansive 2010-2011 season.”

To launch the 2009-2010 season, New York City Opera will present an all-American Opening Night Gala Concert honoring David H. Koch on Thursday, November 5, 2009 — the premiere event in the renovated David H. Koch Theater. Showcasing the historic role of the company in American opera and musical theater, the evening will feature renowned artists, many of whom began their illustrious careers with the company. Adding to the festivities, New York City Ballet will appear as a special guest at the invitation of New York City Opera.

New York City Opera will, for the 11th year, continue the tradition of presenting its VOX: Showcasing American Opera, a unique annual festival of excerpts from new operas that offers American composers and librettists the opportunity to hear their works performed by the New York City Opera Orchestra, Chorus, and soloists. Each year, VOX presents up to twelve previously unproduced works from both emerging and established composers in orchestral readings that are free and open to the public.

New York City Opera’s popular Opera For All program also continues in 2009-2010. With the expansion of this successful initiative to make opera affordable for all New Yorkers, a total of 600 Opera For All seats — all under $20 — will be sold in advance for most performances through subscription (and through single ticket sales starting September 8, 2009). Opera For All also resumes its rush program by offering 50 to 75 orchestra seats at $25 each week.

About the Productions

Hugo Weisgall’s Esther (with a libretto by Charles Kondek), a retelling of the biblical story of the brave and beautiful woman who rescued her fellow Jews from near-destruction in ancient Persia, had its world premiere at New York City Opera in 1993. The first performance of this powerful, uncompromising drama earned both an ecstatic ovation from a spellbound City Opera audience and a chorus of raves from the critics, followed by frequent appeals for its revival. The 2009 presentation at City Opera will mark the work’s first revival since its premiere performances, and underlines the company’s signature dedication to developing and supporting contemporary American opera. Soprano Lauren Flanigan will return as Esther. The production is directed by Christopher Mattaliano, with set design by Jerome Sirlin, costumes by Joseph Citarella, choreography by Jennifer Muller. New York City Opera Music Director George Manahan will conduct. Esther will be performed in English, with English supertitles.

For the first new production under his leadership, George Steel has tapped renowned director Christopher Alden to create a new interpretation of Mozart’s endlessly rich Don Giovanni, in the company’s first new presentation of this masterpiece since 2002. Alden, who has been associated with New York City Opera since 1979 and recently collaborated with George Steel on the New York premiere of Elliott Carter’s What Next? at the Miller Theatre, will lead a creative team including set designer Paul Steinberg, costume designer Terese Wadden, and lighting designer Adam Silverman. Daniel Okulitch is Giovanni. Don Giovanni will be performed in Italian, with English supertitles.

L’Étoile, Chabrier’s droll and sparkling comic opera was first seen at New York City Opera in 2002. In this witty, stylish production by the celebrated director Mark Lamos, pitch-perfect sets are by Andrew Lieberman, costumes by Constance Hoffman, and lighting by Robert Wierzel. This revival of L’Étoile reaffirms the company’s longtime advocacy of neglected operatic gems. L’Étoile will be sung in the original French, with English supertitles.

Partenope, one of eleven Handel operas in the company’s extensive Baroque repertory, received its acclaimed New York premiere at New York City Opera in 1998 in this touching and fanciful production originally directed by Francisco Negrin. This comic tale of cross-dressing and romantic entanglements is set in the court of the first Queen of Naples. Cyndia Sieden is Partenope. The production features sets by John Conklin, costumes by Paul Steinberg, and lighting by Robert Wierzel. Partenope will be performed in Italian, with English supertitles.

Puccini’s Madama Butterfly, last presented at New York City Opera in the 2007-08 season, received an Emmy Award for its 2008 Live From Lincoln Center telecast which captivated an audience of millions. This beloved production by Mark Lamos showcases the company’s fresh, unique approach to the standard operatic repertoire, perfectly capturing all the romance and tragedy in Puccini’s immortal tale of a disastrous clash between East and West. Stage direction is by David Grabarkewitz, sets by Michael Yeargan, costumes by Constance Hoffman and lighting by Robert Wierzel. George Manahan will conduct. Madama Butterfly will be performed in Italian, with English supertitles.

Subscriptions, Schedule and Tickets

Subscriptions for New York City Opera’s 2009-2010 season will be on sale beginning May 1 for renewing subscribers and June 15 for new subscribers. The subscription office can be reached at (212) 496-0600. Single tickets go on sale September 8, 2009.

New York City Opera stage productions will take place at the David H. Koch Theater at Lincoln Center (63rd St. & Columbus Ave). Ticket prices range from $12 to $145. Weekday performances, with the exception of Tuesdays, begin at 8:00pm. Tuesday performances begin at 7:30pm. Friday and Saturday evening performances begin at 8:00pm; matinees begin at 1:30pm.

David H. Koch Theater Renovations

New York City Opera and New York City Ballet have undertaken a $200 million capital campaign — the first such joint venture in the companies’ histories — to enhance audience amenities and provide a state-of-the-art environment for productions at their shared home, the David H. Koch Theater, renamed in honor of Mr. David H. Koch’s $100 million lead gift to the joint capital campaign. Significant additional support in the amount of $25 million has been provided by the City of New York, through the Department of Cultural Affairs with support from the City Council and the Manhattan Borough President. The improvements being made to the theater include: an enlarged orchestra pit with a mechanical lift, new and upgraded stage lighting, the installation of new seats throughout the theater, and improved accommodation for audience members with disabilities. The scope of the renovations was recently expanded to include additional aisles on the orchestra level of the theater, resulting in more comfortable and convenient access for patrons.

New Website

New York City Opera has recently launched an entirely redesigned website featuring its new graphic identity ( New features include more streamlined and efficient navigation, dynamic multimedia components, and personalized content which may be tailored to individual visitors’ interests and preferences. A new “My New York City Opera” tool allows users to set up personal online accounts to customize their online experience and view past ticket purchases and donation history. Production pages will feature a media player with images and video and audio clips, which can provide audiences with more information about operas before they choose to make a purchase. Redesigned blog and podcast areas also allow users to bookmark and share posts easily with an extensive list of social networking sites. In the upcoming months, the Opera’s website also will feature a Select-Your-Own-Seat module offering patrons the ability to book specific seats online for the first time. The New York City Opera Stage Door, an extensive online archive focusing on the company’s rich history and offering a new searchable database of every production, performance, and cast since the company’s 1944 opening, will be launched in summer 2009.


New York City Opera gratefully acknowledges its 2009-2010 leadership sponsors: Mary Flagler Cary Charitable Trust, The Horace W. Goldsmith Foundation, Estate of Ruth H. Klotz, Lincoln Center Corporate Fund, The Andrew W. Mellon Foundation, Samuel I. Newhouse Foundation, Inc. in memory of Theodore and Caroline Newhouse, The Peter Jay Sharp Foundation, and The Alice Tully Foundation.

Major support is provided by Joseph and Sophia Abeles Foundation, The Bodman Foundation, Estate of Rose Braverman, Francis Goelet Charitable Lead Trusts, The Ambrose Monell Foundation, Target, Henry and Lucy Moses Fund, Inc., The Evelyn Sharp Foundation, Isak and Rose Weinman Foundation, and The Helen F. Whitaker Fund. American Airlines is the Official Airline of New York City Opera.

New York City Opera's 2009-2010 programming is made possible, in part, with public funds from the New York City Department of Cultural Affairs, the New York State Council on the Arts, and the National Endowment for the Arts.

About New York City Opera

Since its founding in 1943, New York City Opera has been recognized as one of America’s preeminent cultural institutions, celebrated for its adventurous programming and innovative, risk-taking production style. The company’s wide-ranging repertory of 274 works spans five centuries of music and includes 29 world premieres and 61 American and/or New York premieres of such notable works as Bartók’s Bluebeard’s Castle, Britten’s A Midsummer Night’s Dream, Shostakovich’s Katerina Ismailova, Busoni’s Doktor Faust, Prokofiev’s The Love for Three Oranges and The Flaming Angel, Zimmermann’s Die Soldaten, Schoenberg’s Moses und Aron, and Glass’ Akhnaten. The company has been a leading showcase for young artists, helping to launch the careers of more than 3,000 singers, including José Carreras, Phyllis Curtin, David Daniels, Plácido Domingo, Lauren Flanigan, Elizabeth Futral, Jerry Hadley, Catherine Malfitano, Bejun Mehta, Sherrill Milnes, Samuel Ramey, Gianna Rolandi, Beverly Sills, Norman Treigle, Tatiana Troyanos, and Carol Vaness. In 1983, City Opera made operatic history when it became the first American opera company to use supertitles, an innovation that has revolutionized the way opera is produced and appreciated worldwide.

In February 2009, George Steel, former executive director of the Miller Theatre at Columbia University, began his tenure as New York City Opera’s new General Manager and Artistic Director. Building on the company’s core mission of artistic excellence and accessibility, Mr. Steel’s plans include broadening the company’s adventurous approach to repertory, supporting the careers of promising artists, and continuing to develop the company’s acclaimed education and outreach programs.